Patrick M. Finelli, Ph.D.



Current Position

Professor (Theatre History and Theory), School of Theatre and Dance, College of Visual and Performing Arts, University of South Florida (tenured1990).

Education

Ph.D. (Dramatic Art), University of California at Berkeley, 1991.Dissertation title: “Computer Technology in the Scenographic Process.”
M.B.A. (Management), University of South Florida, 1982.
M.A. (Dramatic Art), University of California at Berkeley, 1975.
B.A. (Psychology), University of California at Berkeley, 1972.

Areas of Specialization

Historiography
Theatre Research Methodology and Digital Archives
Teaching in Cyberspace (Computer-mediated learning)
Theatre History
Contemporary Performance Theory and Criticism
Caribbean Theatre
Stage Sound

Current Research Activities (other than books and publications)

·        Director of Electronic Research.  American Society for Theatre Research (ASTR).  Appointed by ASTR President Charlotte Canning (UTexas at Austin). Responsibilities include 1.) Defining what constitutes the practices of research in the context of ASTR for scholars within and beyond academia; 2.) Identifying journals and publisher/distribution channels within the field of theatre research; 3.) Creating guidelines for new researchers (e.g. MLA format, “Call for Papers” resources, requirements for refereed journals); 4.) Writing and editing “Doing Online Research in Theatre Studies;” 4.) Coordinating access to ASTR Research Groups; 5.) Maintaining links to online resources for theatre research and 6.) Organizing peer review.

 

·        Selecting, editing and digitizing autochthonous Caribbean folktales narrated by noted Guyanese storyteller Ken Corsbie in streaming audio on the web, where many reside now as an integral part of my Caribbean Theatre online course developed through HETS-LAAP grant funding.  Continually adding new features, new streaming audio and video applets and content.

 

·        Director, Design Registry Database, United States Institute for Theatre Technology (USITT). Designed and coded prototype research tools. We have developed this project in consultation with SIBMAS (The International Association of Libraries and Museums in the Performing Arts), ATHE (Association for Theatre in Higher Education) and MERLOT (Multimedia Resource for Learning and Online Teaching).   Each of these entities, as well as specific library collections, has an interest in the subvention and dissemination of the project’s development and outcomes.   The Design Registry will help to advance the work of writers, historians, scholars and researchers.

Books

Finelli, Patrick M. West Indian Plays. Tampa, Florida: Paradise Press, 2005 (in progress). ISBN #0-9754989-1-6.

Finelli, Patrick M. Worlds Away. Tampa, Florida: Paradise Press, 2004.
ISBN #0-9754989-0-8.

Finelli, Patrick M. Computer Technology in the Scenographic Process. Doctoral Dissertation. Published by the University of California (Berkeley) and University Microfilms (Ann Arbor), 1991.

________. From Myth to Playhouse: A History of World Theatre. Madison, Wisconsin: Brown and Benchmark Publishers, 1992. (blind editorial review for publisher)

Textbooks

Finelli, Patrick M. Sound for the Stage (revised edition). Cambridge, UK: Electronic Technology Press, 2002. ISBN #1-904031-15-3

Finelli, Patrick M. Sound for the Stage. New York: Drama Book Publishers, 1989
ISBN 0-89676-105-3.

Chapters in Books

Finelli, Patrick M. “Listservs for Theatre Production,”  Stage Directions, March 1996, pp. 9-10. Rpt. in Gillette, J. Michael. Theatrical Design and Production. Mayfield Publishing, 2000. (Appendix A)

Carter, Paul. Backstage Forms. New York: Broadway Press, 1994, pp. 126-128,134-137,140-143.

Articles

Finelli, Patrick M., “Box Office on the Internet,” Stage Directions, Sept. 2003, pp. 50-51, 63.

Finelli, Patrick M., “American Art Theatre in the Digital Archives,” New England Theatre Journal, Volume 13, November, 2002, pp. 23-51.
(accepted after juried review).

Finelli, Patrick M., “Artistic and Technical Duties for Sound Personnel in the Theatre,” Stage Research, April 16, 2002. 

Finelli, Patrick M., “Internet Strategies for Venue Enablement, Database Integration and Building Quality Patron Relationships: Part II,” ArtsReach, Volume X, Issue 4, March 2002, pp.4,6, 8-13.

Finelli, Patrick M., “Making the Wave,” (two audio software reviews) Stage Directions, March 2002, pp. 24-26.

Finelli, Patrick M., “Internet Strategies for Venue Enablement, Database Integration and Building Quality Patron Relationships: Part I,” ArtsReach, Volume X, Issue 3, February 2002, pp.1, 14-19.

Finelli, Patrick M., “Plugging into the Internet,” Stage Directions, February 2002, pp. 54-55.

Finelli, Patrick M., “On Set Scheduler,” Stage Directions, June/July 2001, pp. 30-31, 63.

Finelli, Patrick M., “Ticket Systems, Marketing and Donor Management Alternatives Utilizing PCs and the Internet,” ArtsReach,  San Anselmo, CA, Volume IX, Issue 2, January 2001, pp. 1-19.

Finelli, Patrick M., “Moving Your Box Office into Cyberspace,” Stage Directions,  October 2000, pp. 46-47.

Finelli, Patrick M., “Audio Anywhere,” Stage Directions,  August 2000, pp. 30-31.

Finelli, Patrick M., “Digital Script Index,” Stage Directions, January 2000, pp. 19-21.

Finelli, Patrick M., “Commedia dell’Arte,” Theatre Journal, December 1999, pp. 55-57.

Finelli, Patrick M., “Selling Tickets in Cyberspace,” Stage Directions, Nov. 1999, pp. 20-21,66.

Finelli, Patrick M., “Building a Theatre Website,” Stage Directions, October 1999, pp. 26-27.

Finelli, Patrick M., “Digital Photography,” Stage Directions, August 1999, pp. 12-13.

Finelli, Patrick M., “The Strongest Link,” Stage Directions, January 1999, pp. 7-8.

Finelli, Patrick M., “Scanning the Horizon,” Stage Directions, October 1998, pp. 65-67.

Finelli, Patrick M., “An Updated Lighting Program,” Stage Directions, August 1998, pp. 42-43.

Finelli, Patrick M., “Fact or Fiction,” Biography, July 1998, pp. 18.

Finelli, Patrick M., “Cyber Education: The Next Wave,” ArtsUSF, Summer 1998, pp. 3.

Finelli, Patrick M., “Ten Technology Changes for Theatre,” Stage Directions, June/July 1998, pp. 29-34 (Special 10th Anniversary Issue)

Finelli, Patrick M., “That’s the Ticket,” Stage Directions, March 1998, pp. 7-9.

Finelli, Patrick M., “A Printer for the Theatre,” Stage Directions, January 1998, pp. 21-24.

Finelli, Patrick M., “The ABCs of CAD,” Stage Directions, October 1997, pp. 57-59.

Finelli, Patrick M., “Two Products, Two Purposes,” Stage Directions, August 1997 pp. 4-6.

Finelli, Patrick M., "”Stage Lighting: The CD-ROM,” Stage Directions, May 1997 pp. 29-30.

Finelli, Patrick M., “A Control Board in Your PC,” Stage Directions, March 1997, pp. 33-34.

Finelli, Patrick M., “Buying a Computer,” Stage Directions, January 1997, pp. 32-35.

Finelli, Patrick M., “The Green Room,” Akropolis Arts Magazine, October 1996.

Finelli, Patrick M., “Computer-Aided Costume Design,” Stage Directions, Oct. 1996, pp.27-28.

Finelli, Patrick M., “Database for Playwrights,” Stage Directions, Aug. 1996, pp. 16-17.

Finelli, Patrick M., “Computerized Sound Cues,” Stage Directions, May 1996, pp. 7-8.

Finelli, Patrick M., “A Listserv in Your Future?,” Stage Directions, March 1996, pp. 9-10.

Finelli, Patrick M., “Superstition and the Scottish Play,” Akropolis, Feb. 1996.

Finelli, Patrick M., “Caught in the Web,” Stage Directions, January 1996, pp. 15-16.

Finelli, Patrick M., “Visual CAD” Theatre Design and Technology, Fall 1995, p. 65-66.

Finelli, Patrick M. “Health Hazards of Video Display Units,” Theatre Design and Technology, New York, Fall 1993.

Finelli, Patrick M. “Computer Ease,” Lighting Dimensions, October, 1990.

Finelli, Patrick M. “Costume Design Using Image Processing,” Theatre Crafts, Feb. 1990: 38.

Finelli, Patrick M. “The Software Project,” Sightlines, January, 1990.

Finelli, Patrick M. “Review of Directory,” MicroTheatre, January, 1990.

“Theatre in the 1990s,” extensive quote, Theatre Crafts, January, 1990.

Finelli, Patrick M. “Advancing Production Technology.” Theatre Design and Technology, Summer 1989: 35-40.

“Literati,” Variety, July 12, 1989.

“Review of Sound for the Stage,” Theatre Crafts, September, 1989.

“Is CADD right for you?,” quote, Lighting Dimensions, March, 1989.

“Author, Artist, Technician,” Artbeat, Spring 1989.

“USF Instructor News Feature,” WTVT, Channel 13, Tampa CBS affiliate. Spring 1989.

Finelli, Patrick M. “Software and the Stage,” Theatre Design and Technology, Fall 1988: 25-33.

Computer Analysis of Production Activity in the U.S.(USITT, 1984)

Other Publications

Feature story “Tracing Scars, Ghosts of War,” Tampa Tribune (Metro Section), May 30, 2004, pp. 1-10.

 

Gimistory. Created documentary digital video recorded on DVD of artists including noted BBC radio personality and West Indian storyteller Ken Corsbie and the Kind and Queen of Extempore: Black Sage and Lady Africa. (2003)

 “Oh, for a Muse of Fiber-Optics: Using Internet Technology in the Theatre Classroom,” by Kim McQuillen, Southern Theatre, Greensboro, NC,  Volume XLII, Number 1, Winter, 2001. (Interview, pictures of Websites).

“Design Program in Digital Media at the University of Georgia,” by Michael Hussey, Theatre Design and Technology, New York, Spring, 1999 (editor).

“Computing Trends in Theatre Production,” by Patricia Salmon, Theatre Design and Technology, New York, Fall, 1993 (editor).

“CAD & the TD: A Personal Testament,” by Jim Drake, Theatre Design and Technology, New York, Fall, 1993.(editor)

“Interactive Computer Modelmaking Revisited,” by Phillip Grayson, Theatre Design and Technology, New York, Fall, 1993.(editor)

“Computer Based Production Management” (1983)

Associate Editor, Theatre Design and Technology, (1988-2005)

Presentations and Symposia

United States Institute for Theatre Technology, International Conference, Toronto, Canada, March 2005. (Design registry research report)

 

Featured guest, “Insight,” CNN International, November 30, 2004.

 

Briefing presentation, Marine Corps Central Command, CENTCOM, Historical research and archives, November 29, 2004. 

 

 “Distance Learning,” National Association of Schools of Theatre, Salt Lake City, April 2003.

 

United States Institute for Theatre Technology, National Conference, Minneapolis, Minnesota, March 2003. (Editorial board meeting; book-signing session)

 

United States Institute for Theatre Technology, National Conference, New Orleans, Louisiana, February 2002. (Editorial board meeting; proposal for online book and product reviews)  USITT Design Registry Proposal

 

“Memory and Historiography: a Phenomenological Approach,” International Federation for Theatre Research/ Federation International Recherche Théâtral XIV World Congress, Amsterdam, The Netherlands, July 2002. (proposal accepted)

 

“Digital Archives: Research and Historiography” Meeting of the Theatre Historiography Working Group of the International Federation for Theatre Research/ Federation International Recherche Théâtral, Utrecht, The Netherlands. August 2001.

 

“Online Teaching at the University of South FloridaFlorida Community College at Jacksonville, Faculty Development Program for Online Course Development Project, Jacksonville, Florida, June 2001. 

 

United States Institute for Theatre Technology, National Conference, Long Beach, California, March 2001. (Editorial Board)  

 

21st Century Teaching Technologies Symposium, University of South Florida, Feb. 2001.

 

“Evaluation of Internet Resources for Teaching and Research” American Society for Theatre Research, New York, November, 2000.

United States Institute for Theatre Technology, National Conference,  Denver, Colorado, March 2000. (Editorial Board)  

“Carnivalization of Culture in Trinidad Carnival: Bakhtin and Theatre Historiography,” Meeting of the Theatre Historiography Working Group of the International Federation for Theatre Research/ Federation International Recherche Théâtral, Amsterdam, The Netherlands. March ‘99

“Theatre History and Distance Learning” Guest lecture. Louisiana State University, November, 1998.

“International Congress for Theatre Research,” (Historiography) Canterbury, U.K., July, 1998

“Constructing Theatre History,” Symposium in Honor of Oscar Brockett, University of Texas at Austin, April, 1998.

United States Institute for Theatre Technology, National Conference, Long Beach, California, March 1998.

American Society for Theatre Research, “Teaching Theatre History in Cyberspace,” San Antonio, Texas, November 1997.

Association for Theatre in Higher Education, “Theatre History CD-ROM,” Chicago, August 1997.

Southeast Theatre Conference, “Teaching Theatre History on the Web,” Miami, March 1997.

21st Century Teaching Technologies Symposium, University of South Florida, April, 1997.

American Society for Theatre Research Conference, “Theatre History on the Internet,” (Huntington Library Session), Pasadena, California, November, 1996.

21st Century Teaching Technologies Symposium, University of South Florida, Feb. 1996.

United States Institute for Theatre Technology, National Conference, Las Vegas, NV, March 1995. Co-chair “World Wide Web Home Page and Resource Development.”

United States Institute for Theatre Technology, Southeast Region, Tallahassee, Florida, September 1994. Panelist “Publication guidelines for design and technology.”

United States Institute for Theatre Technology, National Conference, Seattle, March 1992. Panelist “Health hazards from computer displays.” Paper delivered “Computer Modeling and Simulation.” 

Association for Theatre in Higher Education, National Conference, Seattle, August 1991.
Chair, “The politics of space: site-specific scenography.”

Association for Theatre in Higher Education, National Conference, Chicago, August 1990. Presented paper, “Postmodernism and the Design Process”

EXPO 90, Towson State University, Maryland.
Featured speaker, “Technology in scenography-Serlio to Postmodern”

Association of Theatres in Higher Education, National Conference, New York City (1989)
Featured panelist “Computers, what are they doing to our art?”

Lighting Dimensions International, Conference, Dallas (1988)
Featured panelist, "Advanced Design Technology"

University of California Art Museum, Design Conference Speaker,” The Donald Oenslager Collection" (1975)

Honors and Awards

Provost’s Research Grant (2005)

CVPA Nominee – Distinguished Service Professor (2004)

Gimistory Storytelling Festival – Grand Cayman, British West Indies  (Nov. 13-17, 2003)
 Distinguished guest of the Cayman National Cultural Foundation’s International Storytelling Festival.

Distinguished Guest, Cayman Island Quincentennial (Derek Walcott, Nobel Laureate, poetry reading and workshop)

President's Award for Faculty Excellence (2003)

Educational Outreach Online Teaching Award (2002)

CVPA Research Grant (2002)
CVPA Nominee – Distinguished Research Professor (2001)

HETS - LAAP Grant ($7220) November 2001-2002
     Grant for new online Caribbean Theatre course, integrating content-specific web pages with the
    Blackboard course management system. The Learning Anytime Anywhere Partnerships (LAAP)
    Program sponsored this grant in a partnership with The Hispanic Educational Telecommunications
    System (HETS). The course information will be suitable for inclusion in the online catalog of the
    HETS Virtual Plaza maintained by a consortium of 18 colleges and universities with headquarters
    at the University of Puerto Rico.

International Travel Grant (IFTR, Utrecht, The Netherlands, 2001)
Fulbright Senior Specialists Program Committee (1997-2003)

   a.) Peer review committee for the Center for the International Exchange of Scholars (CIES) Fulbright Senior Scholar Fellowships.

   b.) Inaugural online peer review program to encourage new activities that go beyond the traditional Fulbright activities of lecturing and research.

United States Trademark (Connected Courseware®) October 2000
International Travel Grant (IFTR, Amsterdam, The Netherlands, 2000)
Fulbright Scholar Selection Committee (1998-2000) Center for the International Exchange of Scholars
International Travel Grant (IFTR, Canterbury, UK, 1998)
Geocities Outstanding Theatre Website Award (April 1998)
Lecture Series Grant (Caribbean Theatre) (1996)($2000)
Los Angeles Times Website Award (June, 1997)
Teaching Enhancement Technology Grant (1997)($7500)
Liberal Arts Curriculum Certificate (1997)
College of Fine Arts Instructional Grant (1997) ($500)
Faculty Workstation Grant (1996) ($2500)
Academic Computing Cyberclass Support (1996)($5000)
Graduate Council Chair Research Support (1995)($2500)
Honors Thesis Honoraria ($600)
Florida Dance Festival Award (1995)
Certificate of Appreciation, Faculty Senate Executive Committee, 1995-6
Sponsored Research Faculty Grant (1995)($7500)
Teaching Incentive Program Award (1994)
Certificate of Appreciation, NASA (1992)
Commendation, M. L. King Celebration, Institute on Black Life (1992)
Certificate of Appreciation, Graduate Council, 1991-2
University Library Award (1991)
John W. Holloway Grant for Arts Technology (1990)
Sponsored Research Foreign Travel Grant (1989)
College of Fine Arts Research Grant (1984)
Dean's Council Grant (1982)
Regent's Fellowship (UC Berkeley,1973)
Eisner Prize for Outstanding Achievement in Creative Art (UC Berkeley, 1972)

Graduate Thesis and Dissertation Committees

DOCTORAL LEVEL

University of South Florida - Ph.D. Dissertation Committees
    Andrew Sioberg (Music Education, 2005) (Chair)
    Annie Grenseman (Education, 2005)
   
Mary Abraham Kinney (Education, 2001)
    Joanne Averill (English Department, 1999)
    Sukanya B. Senapati (English Department, 1993-95)
    Jana Scott (Arts Education in Public Schools, 1992)
    John Kurnik (Interdisciplinary Arts Management, 1991)
 
Columbia Pacific University - Ph.D. (Arts Education)
    Monica Ramirez, 1992 (currently faculty at Florida
    International University, Boca Raton)
 
Other:

    Graduate Council Representative (10 Oral Defenses), 1994
    Dissertation Defense Handbook (Subcommittee Chair), 1994-5
    Doctoral Dissertation Prize (Guidelines and Award Committee), 1993-95

MASTER'S LEVEL

University of South Florida - M.A. (Latin American Caribbean Studies)
     Ariel Guttierez, 2004   

Virginia Polytechnic Institute - M.S. (Computers in Theatre)
    Virginia Salmon, 1991 (published in Theatre Design and Technology, Fall 1993.)

University of South Florida - M.Ed. (Theatre Education)
    Cynthia Alicea 1998
    Phyllis Valentino 1998
    Preston Boyd 1997
    Ken Erickson 1997
    Bonnie Fuhrmeister, 1997
    Ken Turnick, 1997
    Jane Dotson, 1997
    Kelly Clements, 1994
    Mary Kinney, April 1992
    Beverly Bourne, May 1990
    Bonnie Fitzgerald, July 1990
    Kelly Woodland, November 1988

Other:

    Master's Thesis Prize (Subcommittee Chair 1994, Guidelines 1993)

Undergraduate and Graduate courses taught

Graduate Directed Study (2001-2005)
Theatre History I Cybercourse (1996-2001)
20-42 students, online with discussion group
Theatre History II Cybercourse (Summer 2000, Spring 2001)
25 students, online with discussion group
Theatre History (Fall, 1987-2000)
35-40 students, lecture/discussion
Theatre History II (Spring 2000)
35-40 students, lecture/discussion
Contemporary Performance Theory (Spring, 1991-2001)
20-25 students, seminar
Introduction to Theatre (Fall 1997-99)
40 students
Caribbean Theatre (Spring 1999-2001)
10 students
Selected Topics: Theatre of the West Indies (Spring 1998)
10 students
Contemporary Performance Theory Cybercourse (Spring 1998, 1999, Fall 2000)
6 students, online with discussion group
Sound for the Stage (Fall 1987-2000)
10-15 students, lecture/studio/project
Directed Study in Computer Assisted Design (Spring, 1990-93)
1-3 students, tutorial/project
Honors Thesis Class (1993, 1995-97)
2 students, thesis supervision
Directed Study in Dramatic Criticism (Fall, 1992, Su, 1994)
4 students, research/discussion
Directed Study in 20th Century Dramatic Literature (Su, '94)
2 students, research/discussion
Directed Study in Acoustic Modeling (Fall, 1993)
1 student, research/discussion
Directed Study in Theatre Semiology (Spring, 1992)
1 student, research/discussion
Directed Study in Phenomenology of Performance (Sp, 1993)
1 student, research/discussion
Graduate Seminar for Teachers of Drama (Su 1991, 1992, 1994)
1-6 students, studio and lecture

Teaching Enhancement Workshops

“How to Question Students Socratically,” Center for Teaching Enhancement, February, 1999

Workshop for Supervisors of Teaching and Research Assistants, May, 1998

Active Learning Strategies, Summer 1995

Other Teaching and Teaching-related Research

Created documentary digital video recorded on DVD of artists including noted BBC radio personality  and West Indian storyteller Ken Corsbie and the Kind and Queen of Extempore: Black Sage and Lady Africa.

Guest Lecture – USF Division of Languages, December 2, 2003
Co-sponsor of performance of “Dream on Monkey Mountain” as part of thesis project and directed study  by Ariel Guttierez.  Lecture on Derek Walcott, West Indian performance and poetry at the request of Dr. Madeline Camara.

Aristophanes and His Age (Classics Department, College of Arts and Sciences, USF)
Theatre History Cybercourse
Contemporary Performance Theory Cybercourse  
Sound for the Stage Cybercourse
Caribbean Theatre Cybercourse
Introduction to Theatre Cybercourse
American Society for Theatre Research, contributing member
Performance in History Project, founding member
National Theatre of the Cayman Islands Playwriting Competition, Judge, 1995-2000
Cayman Drama Exchange, 1993, 1997.
    Sponsored student production of Crimes of the Heart at the Prospect Playhouse, Grand Cayman Island, B.W.I.
    Established relationship with Cayman National Theatre for cultural exchange projects.
Audio Workshop, Florida Dance Festival, June, 1996

 Internet, CD-ROM and Video

Director of Research, Electronic Access, American Society for Theatre Research

Director, Design Registry, United States Institute for Theatre Technology, 2002-2003

Director, Evaluation of Resources in Teaching and Research, American Society for Theatre Research, 2001-2003

Connected Courseware® University Theatre Arts Resources (founder)

Finelli, Patrick M. Theatre History Cybercourse (hybrid CD-ROM multimedia with Internet connectivity), 1996-2005.

Finelli, Patrick M. (contributor), "Shakespeare in His World", CD-ROM, Thynx Software, San Jose, California, December 1996.

Multimedia Programs (1988):

1. The Elements of Greek Dramatic Production -Pronomos Vase
2. Shakespeare's Stage
3. Digital video clips of Shakespearean monologues

LightBase, a software program (1985)
A program that allows the lighting designer to organize paperwork efficiently. Originally appeared in Lighting Dimensions under the name Compulight

An Interview with Sheldon Cheney (1976)
An oral history tape of an extensive interview with the author of The New Movement in the Theatre (1914), The Art Theatre (1917), The Story of Modern Art (1941) and the founder of Theatre Arts Magazine (1916).

 Theatres of Greece and Rome (1987)
Shows in detail eleven Greek and eight Roman theatres, including Epidaurus, Dionysus, Orange, Aspendos and Pergamum.

Scenes and Stages: Medieval through Baroque (1988)
Traces stage design from the medieval passion plays through Bibiena’s elaborate designs including the Elizabethan stage, Drury Lane and Drottingholm. Special emphasis on Italian renaissance architecture including the Teatro Olimpico and the Teatro Farnese at Parma.

Scenes and Stages: Romantic through Postmodern (1988)
A wide variety of scenic styles from the German and French romantic stages, through the naturalism of Antoine's Théâtre Libre, modernism and contemporary staging. Realism, symbolism, expressionism and epic theatre are presented.

Scenes and Stages: The Art Theatre (1988)
The principles of stagecraft suggested by Appia and Craig expressed in the American theatres such as the Provincetown. Robert Edmond Jones, Lee Simonson, Sam Hume, Jo Mielziner and Norman Bel Geddes are among the principal scenographers featured. 

Technical Reports (Software Reviews)

Directory of Software for Technical Theatre (1988),
United States Institute for Theatre Technology. (46 reviews) Editor and principal author. 

Directory of Software Supplement #1(1989), United States Institute for Theatre Technology. (59 reviews)

Directory of Software Supplement #2 (1990), United States Institute for Theatre Technology. (28 reviews)

Directory of Software Supplement #3 (1991), United States Institute for Theatre Technology. (41 reviews)

Other Published Software Reviews

“Software Review: Argus,” Theatre Design and Technology, New York, Winter 1993, p. 55.

“Software Review: Drafix,” Theatre Design and Technology, New York, Winter 1993, (editor)

“Software Review: Modacad,” Theatre Design and Technology, New York, Winter 1993, p. 56.

“Software Review: Maclux,” Theatre Design and Technology, New York, Fall 1992, p. 65.

“Software Review: Scene Shop Software,” Theatre Design and Technology, New York, Fall 1992, p. 65.

“Software Review: Simple Span/Back Span,” Theatre Design and Technology, New York, Fall 1992, p. 65.

“Computer Ease: New Programs and Database Systems for Lighting Designers,”  Lighting Dimensions, New York, October 1990, p. 98.

“Software Review: The Lighting Technician,” Lighting Dimensions, New York, October 1990, p. 98.

“Software Review: Lytemate,” Lighting Dimensions, New York, October 1990, p. 100.

“Software Review: Express-Track,” Lighting Dimensions, New York, October 1990, p. 101.

Creative non-published works

“Voices in Exile,” We Were Always Afraid, actor, Warehouse Theatre, Tampa, (1994)

Lighting Designer, Tampa Bay Performing Arts Center, Festival Hall, (Summer Dance Concerts, 1984-95)

Lighting Designer, Ruth Eckerd Hall, (Spring Dance Recital, 1994-95)

Lighting Designer, Elsa Pardo Ballet, Tampa Bay Performing Arts Center, Festival Hall, (1992-1996)

Service to the University

Library Council, University of South Florida, (2003-2006)

Tenure and Promotion Committee, University of South Florida, (2004-2005)

Curriculum Committee, College of Visual and Performing Arts, (2004-2005)

FAST Committee (Faculty Research and Grant Administration) (2002)
Advisory Committee, School of Theatre and Dance (Department of Theatre) (1999-2005)
College of Visual and Performing Arts Research Council (2001-2002)
College of Visual and Performing Arts Computer Committee (2001-2002)
MFA Committee, Department of Theatre (1996-2002)
Advisory Committee, Department of Theatre (2001-2003)
College of Fine Arts Research Committee (2000-2001)
College of Fine Arts Computer Committee (1987-2001)
Provost's Advisory  Committee for Ethics (1999-2001)
College of Fine Arts Research Council (2000-2001)
USF Strategic Planning Committee - Virtual Library (1998-99)
USF Strategic Planning Committee - Distance Learning (1998-99)
College of Fine Arts Computer Committee (1998-2001)
Advisory Committee, Department of Theatre (1997-2000)
Fine Arts Dean Search Committee (1997-98)
President’s Committee for Tuition Fee Disbursement (1997)
Center for Teaching Enhancement Search Committee (1997)
COFA Graduate Council (1997)
University Graduate Council (1992-1996) Chair 1995-96
    Executive Committee, Faculty Senate (1995-96)
    Thesis Prize Subcommittee (Chair)
    Graduate Student Research Award Subcommittee
    Dissertation Defense Subcommittee Chair
Interdisciplinary MFA Committee (1996)
Teaching Enhancement Awards Committee (1996)
College of Fine Arts Leadership Council (1995)
Distance Learning Committee (1995)
University Cyberclass Committee (1995)
University World Wide Web Committee (1995)
College of Fine Arts Computer Committee (1995)
College of Fine Arts Management Staff Committee (1992-95)
Search Committee for Dean of the Graduate School(1993-94)
Interdisciplinary Exit Course Subcommittee (CFA)(1993)
Provost's Committee for Role and Scope of Graduate Education
Arts and Humanities Grants Committee (1991,1993)
Chairman, Theatre Chair Search (1991-92)
Chairman, Advisory Committee, Program for Arts and Technology (1992-93)
University Committee for Computers in Teaching and Research (1987, 1992)
Adviser, USITT Student Chapter
ACTF Host Committee (1992)
Fine Arts Council
Institute for Arts and Technology
Administrative Council, College of Fine Arts(1989)
College Central Staff (1991-1994)
Computer Committee, College of Fine Arts (1986-1994)
NAST/BOR Review Committee
Events Planning Committee
Faculty Design Committee (Chair, 1986-93)
Theatre Studies Subcommittee
B.F.A. Curriculum Committee
Liberal Arts Faculty Senate (alternate)
Chairman, College of Fine Arts United Way Campaign (1983)
University Scheduling Committee
Search Committee for Acting/Voice Faculty
Search Committee for Sycom Director (computer music studio)
Search Committee for Faculty Scene Designer 

Service to the Profession (Offices Held)

Director, Evaluation of Internet Standards for Websites used in Teaching and Research, American Society for Theatre Research, 2001.

Electronic Technology Committee.  Association for Theatre in Higher Education.

Publications Board, United States Institute for Theatre Technology.

Judge, West Indian Playwriting Competition, Cayman Islands (Fall 1997, 1998, Spring 2000)

Board of Directors, Performance in History Associates 1997-2001)

Committee Chair, Rights and Permissions, Performance in History, ASTR, 1998-01

Secretary, Performance in History Associates, 1999-2000

Editorial Board, Collegiate Press, 1998-01

Vice commissioner, United States Institute for Theatre Technology, New York 1984-1990.

Board of Consultants, Stage Directions, 1994-99

Membership in Professional Organizations

ASTR (American Society for Theatre Research) (Director of Electronic Research)

ATHE (Association of Theatres in Higher Education)

USITT (United States Institute for Theatre Technology)

IFTR (International Federation for Theatre Research/ Federation International Recherche Théâtral)

NCGA (National Computer Graphics Association)

NAST (National Association of Schools of Theatre)

Who’s Who in American Education

Who’s Who in the South and Southeast

Who’s Who in Entertainment 

Other Professional Service (editorships, consultancy)

Theatre Consultant
Van Dyke United Methodist Church
Alexander & Associates, Architects
Tampa, FL
Dates: 2002-2003

Out-of-Doors Academy
Frawley Architects
Sarasota, FL
Dates: 2001-2003

University of Tampa
Reeves Arts Center
Robbins, Bell & Kreher, Architects
Tampa, FL
Dates: 2000-2002 

Shorecrest Preparatory School Arts Complex
Hoffman Architects
St. Petersburg, FL
Dates: 1999-2002 

Tampa Preparatory School Arts Complex
Curtis Gaines Hall, Architects/Planners, Inc.
Tampa, FL
Dates: 1999-2002 

Lykes Center for the Performing Arts
Berkeley Preparatory School
Robbins, Bell & Kreher, Architects
Tampa, FL
Dates: 1995-1997 

Museum of Science and Industry
Robbins, Bell & Kreher, Architects
Tampa, FL
Dates: 1992-95

Tampa Bay Performing Arts Center (1993)
            Theatre Consultant - Experimental Theatre 

Dixie Hollins Theatre Reconstruction
Criswell, Blizzard & Blouin, Architects
Pinellas County Schools
Dates: 1993-95

Loft Theatre (1989-90)
            Theatre Consultant - Performance Space 

Lecanto College (1988)
            Theatre Consultant - Auditorium/Theatre 

University of California at Santa Cruz (1988)
            Theatre Consultant - Experimental Theatre

Smith Elliott Smith & Garney, P.A.
Attorneys at Law
Sasco, Maine
Expert Witness (2000)

Board of Consultants (Theatrical Computing), Stage Directions, SMW Publications, Sacramento, CA, 1994.

Associate Editor, Theatre Design and Technology, New York, 1988-2000.

Service to the Community

Chair, STAR (Strategic Teamwork and Redevelopment) Citizen's Advisory Committee
Temple Terrace, FL 33617 (2002-2005)

Developer Search Committee ($270M project), City of Temple Terrace (2005)

Campaign Committee, General Obligation Bond Referendum ($40M), City of Temple Terrace (2005)

Redevelopment Speaker’s Bureau, City of Temple Terrace (2004-2005)

Master Planner Search Committee, City of Temple Terrace (2004)

CRA Director Search Committee #2, City of Temple Terrace (2003)

CRA Director Search Committee #1, City of Temple Terrace (2002)

Citizens for the Revitalization of Temple Terrace
Vice President (2001-2005)

University Area Community Development Center
Senator Victor Crist, Director
14013 North 22nd Street
Tampa, FL 33613

Pro-bono Theatre Consultant (2001)

Mt. Zion Arts Center (1993)
St. Petersburg, FL
Pro-bono Theatre Consultant

Palm Beach County Middle School Theatre Project (1991) 
Pro-bono Theatre Consultant

CompuServe, International Computer Network (1990)
Serve on advisory panel for online communication data resource.

Tampa Museum of Art, Pavilion Fund Raiser (1986)

United Way Campaign Chair, College of Fine Arts (1985) 

Production Coordinator Activity (1976-1996)

Coordinated technical elements (sound, lighting, staging, seating, labor) for over 100 lecture, music, dance, theatre and other special events each year. Accountable officer, college production area allocated budgets ($25,000-$75,000). Supervise 3 full-time and 37 part-time personnel. Coordinate audio elements for production in four theatre spaces 1986-1996.

Other Production Service Activity

Cayman Drama Exchange, 1993, 1997.
Sponsored student production of Crimes of the Heart at the Prospect Playhouse, Grand Cayman Island, B.W.I. Established relationship with Cayman National Theatre for cultural exchange projects. Seminars in visual arts and musical theatre.

Other Major Artist & Performing Organizations

Ray Charles     Luciano Pavarotti     John Cage     Martha Graham    Alvin Ailey     Twyla Tharp Milwaukee Ballet     National Theatre for the Deaf      San Francisco Mime Troupe     Tip O'Neill     Theâtre Populaire de Lorraine    Christopher Fry   President Jimmy Carter    Dame Judith Anderson   Ricardo Montalban     Marcel Marceau    Myrna Loy     Hume Cronyn    Jessica Tandy     Jerry Lewis    Leonard Nimoy     Gordon MacRae 

Other Projects & Consulting

High Fidelity, film documentary on the Guarneri String Quartet, directed by Academy Award winner Allan Miller (1987). Coordinated technical elements and support on campus and on location.

Garcia/Abell Architects (1987) Friday Morning Musicale Building
Provided technical advice and specifications for lighting and acoustics.

Ye Mystic Krewe of Gasparilla, Coronation Ball (1986-87). Produced major event at Curtis Hixon Hall.

Televised Gubernatorial and Senatorial Debates, WFLA-TV (1982)
Coordinated technical elements for debate transmitted live via satellite.

Chinsegut Film Festival, Technical consultant (1982-1991)
Technical advice and equipment provided for film showings.

Zellerbach Hall Policy Board Member (CalBerkeley, 1972-75)

University of South Florida (lighting designs)


70 Scenes of Halloween, 1990
Luciano Pavarotti, 1986, Sun Dome
President Jimmy Carter, 1986, Sun Dome
Robert Merrill, 1985, Sun Dome
Sun Coast Jazz Festival,
1985
Cyrano de Bergerac,
1984
Fall Dance Concert
, 1983
Spring Dance Concert
, 1983
Jazz Festival
, 1982
USF 25th Anniversary Gala
, 1981
Three One-Acts,
WUSF-TV, 1980
Comedians
(Actor), 1979
Scott Joplin Suite
, 1979
The Misanthrope
, 1979
Firebird,
1978
Les Patineurs
, 1977
The Architect and the Emperor of Assyria
, 1976



University of California at Berkeley (partial listing)

Killing Game (Director), 1974
The Kiss
(Scenography), 1974
The Feast
(Director), 1973
Electra
(Actor), 1973
The Resistable Rise of Arturo Ui
(Actor), 1973
Peer Gynt
(Lighting), 1972 (in Contemporary Stage Design)
The Rise and Fall of the City of Mahagonny (Lighting), 1972
A Dream Play
(Actor), 1972
Steppenwolf
(Scenography), 1972
Shadow of a Gunman,
1972
The Blacks
, 1971